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In one of their best loved, most charming song-and-dance comedies, Fred Astaire and Ginger Rogers demonstrate just how they became best known as America's greatest dance team. Includes the Academy Award(R) winning hit "The Continental." Year: 1934 Director: Mark Sandrich Starring: Fred Astaire, Ginger Rogers, Alice Brady
The year before, in 1933, Fred Astaire and Ginger Rogers had grabbed America's attention in Flying Down to Rio, even though they were the second bananas in that film. The duo had a certain chemistry--Fred with his lighter-than-air elegance, Ginger with her moxie--and studio heads gambled that they could carry a starring vehicle of their own. Nobody guessed there would be another eight movies together after The Gay Divorcee, which turned into a huge success for RKO Pictures. The plot is the usual silliness, with Ginger a divorce-minded gal in England, Fred a dancer whose sincere interest in her is mistaken for something else. But plots never mattered much in these affairs, and this one achieves a kind of free-floating bliss. Astaire had starred in the stage version of the story, titled The Gay Divorce. The censors forced the extra e to be added to the title because surely no divorce could be portrayed as a happy one (this frothy movie's evidence notwithstanding). Only one song was carried over from the stage show, Cole Porter's smash hit "Night and Day," which forms the basis for a sublime pas de deux between Fred and Ginger. A tune, "The Continental," written for this film won the first Oscar ever awarded in the best-song category. --Robert Horton
The Best Fred and Ginger Movie EverReviewed by Sue, 2010-01-22
With Fred and Ginger dancing the seductive Night and Day, the full 17 minute Continental, and even Betty Grable and Edward Everett Horton K-nocking k-nees, what's not to like? In my opinion, this is the best of all Fred Astaire and Ginger Rogers movies. This DVD appears to be complete and a good reproduction. Skip the bonus features, though. They're the pits.
Gay DivorceeReviewed by M. A. Cervantes, 2010-01-18
You couldn't ask for a more fun film than Gay Divorcee. In many ways it is a portal to another world. One much gentler than exist today. Fred and Ginger were first starting out in this film as the main stars. It is a classic. A place of smiles, songs, and romance. What could a person ask for?
Wonderful! Astaire and Rogers are simply wonderful and also a solid
DVD release!Reviewed by Dennis A. Amith (kndy), 2010-01-04
The RKO Radio Pictures years, known for its musicals starring Fred
Astaire and Ginger Rogers in the mid-to-late 1930's and later
featuring other well known talent such as Katharine Hepburn, Cary
Grant, Robert Mitchum and several others.
But it was Fred Astaire and Ginger Rogers that help put RKO
Pictures on the map with their ten films they did together from
1933-1939, 1949. Although the two were featured in the 1933 film
"Flying Down to Rio", the two received fifth billing but it was due
to that film, the two would receive top billing in "The Gay
Divorcee". Beginning with this film, Astaire who was granted the
rare opportunity for complete autonomy over how dancing was
featured on his films would lead him to become the innovator of
having the stationary camera to film a dance routine in a single
shot and that the song and dance routines were integrated into the
plot of the film. Very different from what Busby Berkeley was doing
at the time.
"The Gay Divorcee" was directed by Mark Sandrich ("Top Hat", "Shall
We Dance", "Everything's Ducky") that is based on an un-produced
play by J. Hartley Manners and a screenplay by George Marion Jr.,
Dorothy Yost and Edward Kaufman. The film would be nominated for an
Academy Award for "Best Picture", "Best Music, Score", "Best Sound,
Recording" and "Best Art Direction". The film would win "Best
Music, Original Song" for "The Continental".
VIDEO & AUDIO:
"The Gay Divorcee" is featured in standard 4×3 (1:33:1 aspect
ratio) and featured in black and white. Warner Brothers did a great
job in featuring this classic film digitally remastered. The film
looks very good for a 75-year-old film and there is occasional dust
that can be seen and there is a fine layer of grain. But blacks are
nice and deep and grays and whites come out quite nicely. There is
some flickering due to the original source negative but for the
most part, it is not too distracting. Overall, picture quality for
this film is quite good and you can tell how this film fares
compared to the 1934 short films included on this DVD. "The Gay
Divorcee" looks very good!
As for the audio, audio is presented in monaural Dolby Digital. So,
it's pretty much a Dolby Digital 1.0 center channel driven film.
Dialogue is clear but personally, if you have a modern receiver and
a pretty good audio setup, some may prefer to watch the film with
audio directed to all audio channels.
Subtitles for the film are presented in English, French and
Spanish.
SPECIAL FEATURES:
"The Gay Divorcee" comes with the following special features:
* Show Kids - (19:58) A colorful short film from 1935 in which the
Palace Theater owned by Mr. Jenkins is trying to stay afloat during
the Depression and may close. But his 12-year-old son tries to
bring in audiences with his own show.
* Star Night at the Coconut Grove - (19:33) A festive color short
from 1934 featuring MGM performers such as Bing Crosby, The
Debutantes and special guest Mary Pickford and Eduardo Durant and
many more.
* Classic Cartoon "Shake Your Powder Puff"- (5:59) A black and
white animated cartoon from 1934 directed by Friz Freleng.
Featuring animals, the composer tries to conduct his vaudeville
show
* Audio-Only Bonus: "Hollywood on the Air" Radio Promo - (13:46) An
audio radio promo for "The Gay Divorcee".
* Theatrical Trailer - (1:18) The original theatrical trailer in
its original glory with all scratches and dust galore.
JUDGMENT CALL:
I am making an effort to watch all Fred Astaire and Ginger Rogers
films and the film I decided to start out with is their first major
film together "The Gay Divorcee" from 1934 and what a fantastic
film this one turned out to be. For one, the choreography of the
dancing is remarkable. From the first initial dance number from
Fred Astaire, you know you're in for a visual treat and this film
does not disappoint.
The comedy and storyline are coherent and immediately, you can't
help but be amazed by the amazing chemistry between both Astaire
and Rogers. Despite the two not wanting to create this "musical
team", I can see why audiences wanted to see these two together.
They both click and as Astaire is fantastic with his dance moves,
Rogers compliments him. Also, there is such class and grace between
these two performers that it shows onscreen and makes you
appreciate their dancing. It's really enjoyable to watch.
Of course, for many people "The Gay Divorcee" is famous for its
dance numbers.
From Astaire's solo performance of "Needle in a Haystack" in which
he dances and sings to "Let's K-nock K-nees" featuring Betty Grable
(pre-World War II pinup girl) and Edward Everett Horton was
enjoyable. Although, Horton is not much of a dancer, Grable's
addition for this short segment was quite refreshing to see. But
this is the first choreographed number with a number of people on
the beach boardwalk and is fun to watch.
But it's when you see the two together, that is when you see the
magic of these two individuals. Their performance of Cole Porter's
"Night and Day" was delightful and perfectly choreographed and you
can't help but admire their dance performance. Classy and sexy, a
wonderful scene.
But of course, the scene that will just make the viewer watch in
awe and literally be mesmerized is the 20-minute performance of
"The Continental". Wonderful choreography and also cinematography
for this scene alone. Absolutely fantastic!
And we go back to the actual acting. Astaire's dancing definitely
adds flair to the film but he does a good job with playing the
dapper Guy Holden and a man in love. Ginger Rogers compliments
Astaire's dancing but it's her acting that truly shines and just
the look on Mimi's face after the first dance with Guy is quite
romantic. And of course, the supporting roles by the talent such as
Alice Brady as the perky but naive Aunt Hortense, Edward Everett
Horton playing the forgetful lawyer and Erik Rhodes playing the
hilarious Italian Roldolfo Tonetti. A charming cast and a memorable
film. Overall, "The Gay Divorcee" is a fantastic film and a film
definitely worth watching.
It's important to note that all ten Fred Astaire and Ginger Rogers
films can be found in the "Fred Astaire & Ginger Rogers
Ultimate Collector's Edition" which is highly recommended!
Otherwise, you can find "The Gay Divorcee" DVD (and other popular
Astaire and Rogers films) quite cheap these days.
"The Gay Divorcee" is highly recommended!
Delightful MusicalReviewed by Karen R. Haynes, 2009-12-24
This is the first starring vehicle for Fred Astaire & Ginger Rogers in a series of musicals they did for RKO in the 1930's. All the basic plots tend to be the same - some crazy misunderstanding keeps the pair at odds until Fred finally dazzles Ginger with his dancing, everything is resolved, & they are reconciled. Yes, the plots creak & the dialogue is silly but watch it for the lovely deco sets & costumes, the music, & the dance numbers. It is all great fun & a must for Fred Astaire/Ginger Rogers fans.
Lets K-nock K-neesReviewed by Robert C. Causey, 2009-08-26
The cameo performance by a young Betty Grable in her duet with Edward Everett Horton is a gem. When combined with Night and Day, Eric Blore, Erik Rhodes, and Ginger Rogers getting her dress caught, you have a movie it is impossible to watch and not feel happy.